Quarantine Diaries, Day 16
22:30 The dishes are done! Was listening to the recent episode of Peter Attia’s Podcast. No matter which way you slice the numbers, Covid-19 is going to extract a large toll.
21:00 Yesterday we finished watching Giri Haji on Netflix. Worth a watch, especially if you don’t want to commit yourself to a multi-season TV series. Talking of multi-year, multi-season TV series, we are enjoying Better Call Saul episodes that land each Tuesday. I find Vince Gilligan’s lingering pacing very comforting.
19:15 The Government here just announced an extension of the lockdown till 28 Apr.
18:30 Met my book club over a group video chat. We were reading The Box. After about the first three or so chapters, it was a pretty dry read. I couldn’t finish it. The book got too bogged down in the minutiae of Governmental, bureaucratic and corporate maneuvers that hindered and accelerated adoption of containers. Great potential, poor execution.
Marc Levinson - The Box
Our next book is the very topical World War Z.
Even though I draw a lot of solace from reading, it has had to take a backseat. My eyes are too tired after a full day of staring at the laptop screen. Meeting time used to be downtime from looking at the screen. Now that all meetings (including those with friends) are taking place over video, there are just not enough breaks in the day.
11:30 Learned during a conversation with a colleague that a small bakery operating from Westerpark is open for takeaway. Might pay them a visit. After 2+ weeks of sitting at home, thinking of going even that far feels like what planning for a vacation in Japan would have felt like during normal days. I was a bit of a homebody to start with, but still surprised at how quickly my mental perimeter is shrinking.
Quarantine Diaries, Day 15
22:16 No desire to do the dishes again. When two adults eat 3 meals at home and drink several cups of tea and coffee, it’s a lot of dishes. Today’s lot fit into the dishwasher. We’ll be sleeping to its sloshing white noise.
19:15 On the way home, an old lady was trying to persuade her ancient mastiff to move. She apologised for blocking the footpath. I told her not to worry about it, stepped onto the street and walked past her.
19:00 Entering a grocery store feels like playing Russian Roulette with your health (if not with your life). Before entering the store, I try to mentally map the items in the grocery list to their shelves so that I can make a quick sweep and get out in no time. Of late, I am being thwarted by depleted stock. Which means looking for substitutes, which means lingering on in the store for longer than I have any desire to.
18:26 People these days move to the other side of the footpath when they see you coming from the opposite site. I’ve begun to do the same. We are all trying to maintain the government prescribed safe social distance of 1.5 meters. Doing this in a dense city like Amsterdam sometimes means stepping off the footpath and onto the street. At any other time it’d seem rude (like the treatment of shudras in ancient India, or Jews under the Third Reich), but these days it’s a gesture of kindness and compassion. It says to the passerby “I mean well. I’ll move aside so I do not accidentally infect you”.
18:15 Stepped out for a walk and grocery run after 36 hours. Thanks to the clock moving forward by an hour, it is beginning to stay bright well past 19:00. It had rained just before I left the house. The sky was still quite dramatic. The streets were quiet and still. Except for an occasional runner or 2 or 3 people walking their dogs, I hardly saw anyone.
Empty Road
Empty Dock
Quarantine Diaries, Day 14
23:07 Not sleepy and not feeling like doing the pile of dishes in the sink.
18:30 Woke up from strange dreams. Of late I’ve been dreaming of crowded places and metro commutes.
16:00 We’d usually step out for coffee after lunch but didn’t. We were tired. Besides, no cafés are open outside. And while it was sunny outside, it was also cold (7ºC) and very windy (40 kmph+). Lying down on the couch under a blanket and drifting to sleep while reading Jared Diamond’s Upheaval seemed like the best course of action.
Jared Diamond - Upheaval
14:30 The wife made chickpeas and aubergine for lunch. We wolfed it down with supermarket mini-naans that were heated in the toaster for 8 minutes. Felt like a royal feast.
11:00 We’ve put our cleaner on paid leave so the wife and I cleaned the house. Last week I naively forgot to wear the protective gloves. With all the hand washing I doubt the skin on my hands would’ve taken to all the cleaning supplies too kindly this time.
09:00 Daylight Savings Time has kicked in. With us working from home for the foreseeable future, it has never mattered less. There were plans in the EU to ditch this biannual temporal fiddling starting 2021. Given the raging pandemic, like most other things, it’ll have to take a backseat.
The old cassette player
Illustration: the old cassette player
The mono cassette player at our home was one of the earliest pieces of electronic gadgetry we were allowed to handle as children. Probably a hand-me-down from our grandparents, it was already years old1 when I formed my first memories of it. It sounded muddy and muffled, of worn cassettes and dusty innards. Its biggest allure was therefore not the musical enjoyment it provided, but its ability to record our voices. Lazy Sunday afternoons would be spent before it attentively reciting a song or a poem we had learnt at school. Sometimes mom would join in and hum a favourite Hindi oldie or two. The record button had to be depressed together with the play button for the recording to begin. As I write this, I can even recall its tight tactile feel.
Video cassette players and recorders weren’t a reality yet2 so we’d occasionally deploy the audio cassette recorder to record an episode or two of our favourite TV shows. We’d have to sit quietly and mom or dad would sometimes get up and pause the recording during ad breaks. The blank cassettes, especially the Sony variety my aunt would send from the US, were quite coveted and the space had to be used judiciously. For all the effort we put in, we must have heard these recordings only once or twice. After all, the original content hadn’t been produced for radio and didn’t translate well to a medium without video. Still, I wish we had somehow preserved those recordings.
The cassette player eventually fell into disuse when we bought a lighter “two-in-one”. A black, light, boxy thing called thus because it could play cassettes and also tune into radio3. And as we grew older, the family ritual of recording our voices lost its charm as well. There comes a point in the life of an electronic gadget when it’s cheaper to buy a newer one than getting the older one repaired. I don’t know what became of the old cassette player. It was probably given away to someone in the hope that they could get it repaired and continue to use it.
I wonder if years from now, we’ll look back at our phones and our laptops with the same fondness.
It was a hunk of solid plastic and aluminum. The thing ran on electricity but also had a battery compartment on its flip side that took 2 D-sized (or was it 4?) dry cells. We rarely ran it on batteries but I still remember springs inside the compartment being rusty. A satin ribbon attached inside (to allow you to lever the batteries out easily), perennially bore the stains of fluids from some past battery leakage.↩︎
They certainly wouldn’t have been anywhere close to affordable for my family then.↩︎
Definitely AM and SW radio but probably FM radio too.↩︎
2019: My year in music
This is the fourth year I am sharing my selection of 50 or so tracks that I really enjoyed that year. Like years before, and unlike most mainstream media countdowns, these tracks were not necessarily released in 2019, I just happened to discover them last year. While in previous years’ playlists I’d leave the tracks in more or less the same order in which I discovered them, this year I spent some time arranging them so that overall playlist has a bit more “flow”1.
I had switched to Apple Music last year. This year Spotify launched their service in India. While I live in the Netherlands, their India launch led to them expanding their catalog of music from India offered here to a point where I felt I wasn’t missing what I wanted to listen to. So I switched back. Not only do I find usability/responsiveness of Spotify’s apps better, their recommendations are better too. So yes, if two services offer the exact same content, they can still differentiate themselves on experience.
While Spotify’s algorithmic recommendations played a big role in helping me discover new music in 2019, I Shazam-ed a lot of them during my travels. Then there were other curated playlists, such as the one that Ryuchi Sakamoto made for an NYC restaurant and World Music Network’s monthly charts, that provided both new material and inspiration for this annual playlist ritual of mine.
Here’s my 2019 musical retrospective.
Tuesday pm: Richard Hawley | |
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Richard Hawley’s deep baritone is what carries this song. Also a tune that grows on you over time. |
Danse Carribe: Andrew Bird | |
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When I featured Andrew Bird in my annual playlist in 2016, I had no idea he had been making music since the 90s! He was prolific this year, but the song I’ve picked is from his 2012 album ‘Break It Yourself’. Not only because is it a lovely song, I find myself relating to these bits of lyrics: each time we come back from spending time in the German alps. |
Come On, Dreamer: Tom Adams | |
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The sort of lyrics that go on to become sport anthems. Tom Adam’s falsetto is quite magical too. |
Junk - Remastered 2011: Paul McCartney | |
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From Paul McCartney’s 1970 solo debut album McCartney, recorded around the time of The Beatles’ acrimonious break up in 1969/70. Poignant. |
Jenny Wren: Baptiste Trotignon, Minino Garay | |
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Talking of Paul McCartney, here is a wonderful jazz piano rendition of his 2005 song Jenny Wren. From the album Chimichurri (the spicy sauce whose name, as per Wikipedia, roughly translates to ‘a mixture of several things in no particular order’, which is precisely what this album ends up being). |
The Visitor: Kadhja Bonet | |
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I enjoy works that naturally resist being classified under one genre. Wikipedia summarises various critics’ view of Khadja Bonet’s music rather well: “Bonet’s music has been described as psychedelic soul while, for other critics, it ‘amalgamates folk, jazz and soul,’ or evokes ‘Billie Holiday, whisky, and 1940s Disney’ in a ‘genre-defying’ way.” |
Aonde Voce Vai: Antonio Adolfo | |
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Intentionally left blank as an exercise for the listener. |
Boa Sorte / Good Luck: Vanessa Da Mata | |
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I quite enjoyed this Vanessa Da Mata/Be Harper Portuguese/English duet. Spotify recommended me a fair share of bilingual songs this year - mostly duets where each person sings in a different language. Perhaps because the phenomenon went sufficiently mainstream this year with collaboration between Madonna and Colombian singer, songwriter Maluma on their number Medellín? |
Psychic Elephant: Shankar, Jan Garbarek, Palle Mikkelborg | |
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A wonderful collaboration between L. Shankar (who plays a rather unusual looking electric “double” violin), Jan Garbarek (saxophone) and Palle Mikkelborg (trumpet) from their 1984 album Vision. Made me very nostalgic about my childhood in India for some reason (the album cover of a cat sitting across a reed sun screen on a bright day might have something to do with it). |
Züri: Sophie Hunger | |
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If 4 AM in the morning had a sound, this would probably be it. |
Hold My Girl: George Ezra | |
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I’ve been captivated by George Ezra’s voice since I first heard him in 2013 (he was just 19 then, and I couldn’t believe that a voice so mature could emanate from someone so young!). This song is from his 2018 album Staying at Tamara’s and clearly shows that he has been getting better each year… |
Wrong I: h hunt, Gentle Threat: Chilly Gonzales | |
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From an NYTimes article published in Jul 2018:
Mr. Sakamoto took matters into his own hands and ended up curating a playlist for the restaurant. These two tracks are from his playlist. Though not related to each other, they seem to belong together - much like Debussy and Ravel’s string quartets that were usually issued together on CDs (I remember reading the term ‘disc buddies’ in liner notes). |
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Puerto De Santa Maria: Josephine Foster, The Victor Herrero Band | |
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Some inspired guitar playing and singing. |
Por la Mar Chica del Puerto: Mayte Martin | |
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Sublime Flamenco. |
Beata viscera (monophonic conductus): Pérotin, Tonus Peregrinus, Antony Pitts | |
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Attributed to the 12th century French composer Pérotin, this is hauntingly beautiful music. Although the album cover depicts the southern transept rose window at Notre-Dame, the album itself was recorded at the Chancelade Abbey in Dordogne, France. The compositions featured in this album used to be sung during the liturgy at the Cathedral of Notre-Dame hundreds of years ago. Given this year’s devastating fire at Notre Dame, I couldn’t help but include the track it into this year’s playlist. |
Gallipoli: Beirut | |
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This is track is from Beirut’s 2019 album of the same name (named after the Italian town where it was written). The opening brass section immediately hooks you in. |
My Ruthless Companion: Mahsa Vahdat, Kronos Quartet, Marjan Vahdat | |
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A beautiful collaboration between persian vocalists Mahsa and Marjan Vahdat and Kronos string quartet. Sometimes magic happens when two disparate styles of music come together. |
Por Que Te Vas: Javier Alvarez | |
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A cover of the popular 1974 song ¿Porqué te vas?. A catchy tune. |
Moroka: Amsterdam Klezmer Band, Söndörgő | |
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The homepage of Amsterdam Klezmer Band defines ‘Klezmer’ as ‘traditional Yiddish party music’. While traditional Klezmer is still the foundation of their music, the overall sound is very contemporary. This album is a collaborative effort with the Hungarian band Söndörgő. |
Billy Boy: Martin Carthy | |
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This year I stumbled upon a playlist of English folk music so ended up listening to more music from this genre than I usually would. I was immediately drawn to Billy Boy for its melodic and rhythmic complexity. |
Speedmotion: Lajkó Félix, Vołosi | |
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Brilliant collaboration between string quintet Vołosi and violinist Lajkó Félix. This track from their epoynomous album leaves me feeling breathless. |
Svalan: Maria Kalaniemi, Eero Grundström | |
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Beautiful accordion playing and vocals that celebrate the spirit of swallows (svalan is Swedish for swallow). These are the sort of obscure works I wouldn’t even know about, let alone listen to, had it not been for streaming services like Spotify. |
Tonada Camagüeyana: Maria del Mar Bonet | |
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This is the sort of music that takes me to a sunny place inside my mind… |
Nee Illama - Madras Gig Season 2: Ghibran | |
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Intentionally left blank as an exercise for the listener. |
O baile de Noró: Xabier Díaz | |
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Folk music from northern parts of Spain. Evokes a very unique feeling with hurdy gurdy, violin, percussion and some accomplished solo and choral singing. |
Émigré: Alela Diane | |
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Intentionally left blank as an exercise for the listener. |
Quiero Saber: Odyssey | |
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Intentionally left blank as an exercise for the listener. |
Funeral Blues: Marc Sarrazy, Laurent Rochelle | |
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Piano, saxophone, jazz, blues. Hauntingly beautiful. |
Random Rules: First Aid Kit | |
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Quirky lyrics that sound unsingable and yet here you are listening to them in a song: This is a cover sung as a tribute to David Berman who died this year. |
L’Amor: Arianna Savall | |
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Magical harp playing and singing. |
Merci: Jeanne Cherhal | |
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To sustain a full song at that pitch… |
Dry Your Tears: Yorina | |
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A tune at once familiar (almost something I’d expect to hear in a Hindi film) and new. |
Traveller: Daisuke MATSUTAKE | |
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I stumbled upon this track quite by accident. I was reading about this rather unusual piano called Una Corda Piano2. There is a video clip on this page about how the instrument came about. While you can hear Una Corda Piano being played in the background of this video, there weren’t any other/longer pieces on their web page. So naturally, I turned to Spotify. Now Una Corda is also a name for the piano’s soft pedal and it’s also a musical instruction. Naturally, the name has been used before in the context of a conventional piano for many years and I didn’t find any pieces played on the Una Corda Piano itself. I did find this delightful little piece from an obscure3 Japanese composer’s album called Una Corda. |
Haunting Thoughts - Sallapam: Jyotsna Srikanth | |
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From the album Carnatic Jazz. This track is what the album title says. |
Afro Blue: Melanie De Biasio | |
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Intentionally left blank as an exercise for the listener. |
The Song of the Sea: Emahoy Tsegué-Maryam Guébrou | |
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A quick look at Wikipedia page for ninety something Emahoy Tsegué-Maryam Guébrou would show you that she has led a very eventful life. Her music sounds vaguely from the late classical/romantic period but there are forms and motifs within that are very uniquely her own. I was very happy to hear her voice in this wonderful 2017 BBC 4 radio documentary and to learn that she continues to compose to date. |
Perfect Places: Lorde | |
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A very danceable track from Lorde’s 2017 album Melodrama. I recently heard a cover of this number by First Aid Kit and was amazed at how a song with the same lyrics and even the same general tune can sound completely different because of its stylistic treatment. Had to include both the cover and the original in this year’s list. |
Perfect Places - Live From BBC Radio 2: First Aid Kit | |
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See above. |
Mackerel: The Rheingans Sisters | |
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Folk music that evokes feelings of a calm, warm, bright, late spring day. Almost like a pastoral painting. |
Voy: Nella | |
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Intentionally left blank as an exercise for the listener. |
Cigarette: Marika Hackman | |
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The music with guitar and vocals is simple, calm, introspective but the lyrics have an undercurrent of tension; an argument quickly escalating out of control:
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A Hard Rain’s A-Gonna Fall: Laura Marling | |
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This one came to my attention because it was used for the closing credits of Peaky Blinders’ 4th Season. A worthy cover of the Bob Dylan original! |
Prickly Pear: Portico Quartet | |
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The Hang is a relatively new percussion instrument (invented 2000) that produces a very soothing sound. It’s very popular with buskers in Amsterdam but I had never heard it in a studio recording. Portico Quartet’s 2007 jazz album Knee-Deep In the North Sea changed that. This track shows the potential of the Hang and how it might be incorporated into an ensemble of other instruments. |
Karaköy: Brazilian Girls | |
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The song Karaköy from Brazilian Girls’ 2018 album is titled after a neighbourhood in Istanbul. One even hears a smattering of Turkish (Güle Güle - Good Bye)! |
Crazy Birds: Trio Tekke, Dave De Rose | |
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Peppy, energetic, contemporary, Greek urban pop (Rebetiko) |
Idenga: Hope Masike | |
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From Hope Masike’s 2019 album: The Exorcism of a Spinster. This song has a certain haunting quality to it and grew on me over several listenings. |
Mixaria de Amor: Serelepe | |
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Intentionally left blank as an exercise for the listener. |
Tan Pequeñica Y Sincera: Amaia | |
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A lovely tune (and a beautiful voice). The mere 1 minute 16 second duration of this song makes you wonder if this is just an overture to a larger body of work. Alas, this single is all we get at the moment. |
Heart Sutra Song - Gone Beyond: Laurie Anderson, Tenzin Choegyal, Jesse Paris Smith | |
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Songs from the Bardo, the album this song is from, is an unusual body of work. An interpretation of the Tibetan Book of the Dead the tracks are a mix of chanting, spoken English text and some soulful singing. I found this track deeply moving. |
Ai, Ai, Ai: Sílvia Pérez Cruz | |
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A very peppy tune. The song lyrics are English but have been unabashedly sung in the singer’s original Spanish accent, so “leave” comes out as “live”. Charming! |
Suite en Mi, Deuxieme livre: X. Tambourin: Jean-Philippe Rameau, Alexander Paley | |
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I discovered 18th-century French composer Jean-Philippe Rameau through a book (John Fowles’ The Magus - one of the protagonists played harpsichord). While I found the book quite dated and boring, I am glad I took the trouble to look up the composer on Spotify! While this piece was originally written for the harpsichord (via Wikipedia), this piano rendition is quite beautiful too. |
Kaät: Roseaux, Blick Bassy | |
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Intentionally left blank as an exercise for the listener. |
My Song: Keith Jarrett, Jan Garbarek, Palle Danielsson, Jon Christensen | |
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Keith Jarret weaves an intricate tapestry of notes and chords that always manages to stir complex emotions within me. This is a beautiful collaborative work with Norwegian saxophonist Jan Garbarek from their 1978 album My Song. |
Les métronomes détraqués: Christophe Rieger, Jean-Louis Marchand | |
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Les métronomes détraqués is the title track from the album of the same name. The words translate to: the broken métronomes - an allusion perhaps to complex interplay of slow and fast clarinet and saxophone themes within the track. As if played when keeping time to a faulty, erratic metronome. |
Kolyskova: DakhaBrakha | |
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I recently came across another piece by the Ukranian quartet DakhaBrkha, performed as part of NPR’s Tiny Desk Concerts series, on YouTube. They are described there as making “music that sounds like nothing I’ve ever heard, with strands of everything I’ve ever heard”. I couldn’t have described the group’s output in general and this track in particular, any better. |
This is all very subjective of course, and you might find that you simply enjoy this playlist more on shuffle.↩︎
called thus because it uses 1 string per key as opposed to roughly (depending on the note) 3 per key for a modern piano.↩︎
there exists a Wikipedia page for a professional Japanese baseball player of the same name. None exists for the composer/pianist.↩︎
A day trip to Capri
Two days into our vacation in Naples, on a relatively sunny November day, we took a day trip to Capri. It was a 40 minute walk from our hotel to the port from where hydrofoils depart for Capri several times each day. This being off season, only a few ticket windows were open and it took us some time to locate the right one. Multiple companies operate on this route and your ticket is not transferable across vessels operated by different companies. It was about an hour to our departure. We stood at the harbour and gawked at the cruise ships and the blue water. The wind was nippy, and soon the smell of burnt diesel from the boats and hydrofoils began to irritate my lungs. There were a couple of cafes near by that served sfogliatella1 and fresh coffee. We picked one with a covered outdoor terrace and enjoyed the wares:
Espresso, sfogliatella and lightly sparkling water
Our hydrofoil arrived and nimbly executed a 180º turn to let us board.
Our hydrofoil executes a 180º turn
These hydrofoils look very futuristic but make for a very choppy ride. I felt undulation of each wave the hydrofoil negotiated. Sometimes you are jolted awake by the sensation of falling inside a dream - the entire 40-minute ride felt like one such dream. I thought I was going to be sick - it must be a common occurence on this route since a member of the crew stood ready in the aisle with a stash of polythene bags. On a row of seats next to ours, someone in a black hoodie lay slumped in a foetal position clutching tightly to their bag. I lay back, put on my headphones and closed my eyes. The song that came on (Émigré by Alela Diane) was situationally relevant but wasn’t very reassuring:
I can feel the fear hang heavy on the water
Glinting sharply with the pale moonlight
Mothers hold on tightly to your children
The waves are breaking violently tonight
I was relieved when we finally docked at Capri’s small harbour. Given my recent obsession with the tiling patterns of bricks in Amsterdam, one of the first things I noticed upon setting foot on the land was the Voronoi tessellation engraved on the floor tiles at the harbour:
The view from the Capri harbour
Voronoi tessellation engraved on concrete tiles
Across the road from the harbour was Capri’s funicular station. The sun was to set well before 5 PM and it was already well past noon. Wanting to maximise sightseeing in the daylight, we decided to take the funicular instead of walking uphill. The ride was short and the station on the hill had a terrace that offered a beautiful view.
The view from the funicular station
This being off season, most restaurants were closed. The ones open offered beautiful views (if you could land a seat by the window) but charged a premium. We weren’t particularly hungry so we decided to walk to Anacapri - a small commune2 to the west of Capri. We came across parking lots that surely must be some of the most picturesque parking lots in the world:
A picturesque parking lot
We must’ve walked for about 10 minutes along the highway and couldn’t shake off the feeling that we were doing something wrong. Soon we spotted a set of rocky stairs (Scala Fenicia) cut into the hills to our left. We gladly took them to get off the highway. Despite the long and moderately exhausting climb the view of the azure sea, the clear skies and the slight nip in the air kept us feeling light and happy.
Walking along the highway
The view from the stairs
Most shops in Anacapri were closed too. Some restaurants had even put up notices telling visitors that won’t be open before the start the of the season in April next year. Others deployed complicated looking signs to educate patrons about their opening times:
For some reasons a few shops selling clothes were open - most of their merchandise in shades of blue that mimicked the colour of the sky and sea here. Either they still had local customers coming in or since they weren’t dealing in perishable raw materials, they could stay open despite low off season sales.
One of the shops selling clothes that was open
We finally found a restaurant that’d feed us some sandwiches, pizza and sparkling wine. The pizza, unlike what was shown on the menu, turned out to be a large bruschetta with some cheese and tomato on it, but we were far too hungry by now to complain (and to be fair, they gave us a 2€ discount over the list price).
We wandered aimlessly through the warren of small streets soaking in the quiet and the occasional view of the distant sea.
A street in Anacapri
A view of the distant sea
A street in Anacapri
The views on the way down were stunning. The skies had turned dramatic. We could see rain falling in the distance and feel it drifting towards us with the wind.
Rain drifting towards us
Dramatic skies
The wife kept a count of stairs on the way down (1000+). Once back in Capri, we spent some time walking around the beach and the harbour at Capri…
Stone steps
A beach near the Capri harbour
Boats at Capri harbour
…and eventually settled down at a cafe next to the harbour to wait for our hydrofoil back. It docked some 30 minutes before its scheduled departure and since it was getting a bit chilly, were only too happy to go settle inside sooner. The evening sea was a lot calmer and quite possibly our choice of seats in the middle of the boat a tad wiser - the ride back wasn’t has choppy in the morning. Still, the ride left our stomachs riled enough that we didn’t mind waiting for over 30 minutes for our turn at the famous and perenially crowded L’Antica Pizzeria de Michele in Napoli!